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Sunday, January 31, 2010
The Story of a Collector: Anne Zimmerman
The Story of a Collector: Anne Zimmerman highlights the donated, 25-piece anthology of clothing, dating from the 1940s - 1980s that features the styles and accessories that have become iconic in the fashion industry. The Zimmerman collection is a glimpse of one woman's love for fashion and gathering innovative pieces of clothing. The exhibit is open through April 19 from 11am-4pm on Mondays through Fridays in the Mary Alice Gallery, Morrill Hall, Iowa State University. For a catalog accompanying the exhibit, please contact tcmuseum@iastate.edu
Introduction

The accessories in the collection, while also representing significant designers, show an awareness of the ability of fashion to have a sense of humor. The small hat by Bes-Ben, with its black cats perched atop the wearer's head, is an example of the style for which the company was known, but also demonstrates the knowledge and humor of the collector. A cashmere sweater, covered with appliqued bees and sequins, by one of the major American manufactures of decorative sweaters, is another example of playfulness and a "lets not take this too seriously" approach to fashion.
The Practice of Collecting
Individuals have been collecting for centuries. Today, collections of dolls, plush toys, figurines, baseball cards, and die-cast sculptures can be founds in almost half of all U.S. households. Clothing and textiles have also been collected and exhibited by a variety of individuals and institutions, including museums of art, design, history, and ethnography (Steele, 2008). According to Russell Belk (2001), the spectacular growth of mass production, mass distribution, and mass communication parallels the similarly dramatic growth of mass consumption, mass individual collecting, and musem collecting (p. 1). Belk continues that individual collecting is, "the process of actively, selectively, and passionately acquiring and possessing objects and experiences" (p. 67).
Objects undergo a metamorphosis when they are collected. Everyday things are transformed-they are managed and valued in ways that are much different from those of the objects' past intended use. In textile and clothing museums, fashion that was once worn and then discarded due to changing tatstes, finds a permanent home where it is suited, cared for, and exhibited in evironmentally-controlled storage and gallery spaces. These garments present opportunities to examine and interpret social, economic, technological, and political components of history. There are many reasons why people collect including, but not limited to, enjoyment of acquiring and admiring their collections, to show individualism and accomplishment, to bond as a community of collectors, and in an effort to remember and to relive the past.
References:
Belk, R.W. (1995). Collecting in a consumer society. London and New York: Routledge.
Steele, V. (2008). Museum quality: The rise of the fashion exhibition. Fashion Theory, 12(1), 7-30.
Objects undergo a metamorphosis when they are collected. Everyday things are transformed-they are managed and valued in ways that are much different from those of the objects' past intended use. In textile and clothing museums, fashion that was once worn and then discarded due to changing tatstes, finds a permanent home where it is suited, cared for, and exhibited in evironmentally-controlled storage and gallery spaces. These garments present opportunities to examine and interpret social, economic, technological, and political components of history. There are many reasons why people collect including, but not limited to, enjoyment of acquiring and admiring their collections, to show individualism and accomplishment, to bond as a community of collectors, and in an effort to remember and to relive the past.
References:
Belk, R.W. (1995). Collecting in a consumer society. London and New York: Routledge.
Steele, V. (2008). Museum quality: The rise of the fashion exhibition. Fashion Theory, 12(1), 7-30.
Gilbert Adrian (1903-1959)

Black dinner dress with decorative black and white bands. Rayon crepe. Mid-1940s.
Labels:
costume,
dress,
fashion,
fashion designer,
Gilbert Adrian
Norman Norell (1900-1972)

Red three-piece suit. Wool boucle, wool jersey blouse. 1960's. Label: Traina - Norell.
Labels:
American fashion,
fashion,
fashion designer,
Norman Norell
Claire McCardell (1905-1958)

Striped shirt-dress. Cotton lawn, silk organza lining. Early 1950s.
Rudi Gernreich (1922-1985)

Brown and black mini-dress. Wool double knit. Mid-1960's.
Labels:
American fashion,
costume,
design,
fashion designer,
Rudi Gernreich
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